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The classic US one-sheet theatrical poster. 67x100 cm.
This is an effective poster with its simple and clean design; the
foreground figures stand out from a background that sets location
and mood without being intrusive. Compare with the Mexican
poster's more detailed background to see how more detail does not
always make something more effective.
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Mexican poster. Películas Abco, S.A. 45x62 cm.
Note the additions and changes that an artist has made to the
background that are not on the original scenery as seen on the US
one-sheet poster. I find this makes the background noisier,
reducing the effectiveness of the poster. Regardless, such
differences make comparisons possible and add to the fun of it
all.
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Advertising material from the German pressbook. Senator Film.
140x220 mm.
Like the Mexican poster, this image also has changes made to the
background art but they're not as interesting. The left side
isn't really affected by the removal of detail from the building
but the new figure on the right has unbalanced the composition.
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German Film Card, front and back. Senator Film. 100x140 mm.
Unlike the German ad mat, this card uses the original background
art as on the US one sheet poster.
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Angel chirashi, Japan, front and back, 18 x 25 cm.
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Angel promo on card stock, front and back, 22 x 30 cm. If you
haven't seen the movie then don't read too much of the text on
the back because it's a spoiler for the entire plot.
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Black-and-white promo photo for the 1985 Cinemax US cable TV
premiere. 20x25 cm.
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Black-and-white promo photo. 20x25 cm.
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Black-and-white promo photo, 20x25 cm, with press release.
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Black-and-white promo photo, 20x25 cm, with press release.
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Two promo photos, colour, 20x25 cm.
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Front and back of the 1993 Intrada soundtrack CD. 12x12 cm.
The soundtrack does not have the song Something Sweet
that's heard near the beginning of the movie.
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Front and back of a DVD released in Greece. 12 x 12 cm. If my
translation of the Greek fine print is correct then this disc was
probably distributed as a newspaper giveaway.
Note the strange distortion of the road at the bottom left of the
front image, where the paint line suddenly veers off to the left,
and the change to the building on the right to make it look like
it's on a corner with another road. This may have been an attempt
at a tile effect when multiple discs are placed in a row but the
trees and building don't seem to be suitable for tiling.
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One page Donna Wilkes bio and Angel promo from People Magazine,
Mar 19, 1984, page 89.
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Film Spiegel Nr. 16, cover dated April 1984. A four-page German publication.
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Neues Filmprogramm Nr. 8104, cover dated April 1984. A four-page
Austrian publication. The text is mostly the same as in the Film
Spiegel; it's been edited down for space (and to remove a big
spoiler!) but there are other differences that are interesting to see.
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A two-page article from the Dutch language KWIK Magazine, issue
#1150, cover dated the week of 1984-04-30 to 1984-05-06.
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Cinema, May 1984. A German film, video, and TV magazine. This
issue has a two-page movie article and a full-page ad. The
theatrical start date is listed as being 1984-05-04.
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Angel article from the UK magazine Film Review, July 1984, page 26.
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One page Japanese pinup/promo. Does anyone know what magazine
this is from?
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A set of ten lobby cards from the Spanish release. A mark for
Alas Films, S.A. is part of the text block.
There seems to have been some quality control problems with the
printing; ink splotches and dirt on the film are visible.
Five of these cards had the photo negative flipped left-to-right
before being printed. Can you figure out which ones? There are
enough clues in the images to spot two of them, but for the other
three one has to recognize the scene from the movie.
My favourite is the one with Angel pointing the gun at the killer
(John Diehl). It's too bad that the gun is invisible against the
black background, making for a strange photo to anyone who hasn't
seen the movie. I wonder why Diehl doesn't look at all concerned.
Perhaps he wasn't quite ready at the moment the photo was shot?
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A set of ten French lobby cards. A mark for Coline is part of
the text block.
Two of these cards have the image flipped horizontally.
The images in this set shows a higher contrast than any in the
other sets. I wonder why?
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A set of German lobby cards, with one card missing. There're no
distributor's marks but the German distributor was Senator Film.
All but two of these cards are A4 size. The card with the driver
who looks like it might be Joe Cala, and the card with Donna
Wilkes standing on the stairs are A3.
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Seven US lobby cards. New World Pictures. Each
measures 36x28 cm, with border.
There seems to have been some quality control problems with the
printing of this set as well, as dirt on the film is visible.
Only one of the cards in this set had the negative flipped
left-to-right before being printed. Which one could it be?
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